Dino crash

Blah st. (Hampshire) - studio 2 (dublin) olympic (london) real world (box) - therapy (london) - master rock (london) - sarm hook end (london) dance-pop disco europop parlophone mushroom steve anderson guy chambers - johnny douglas julian gallagher mark picchiotti steve power mike spencer graham stack richard "stannard mark talor " rotes around " released: june 19, 2000 "on a sort of night" released: september 11, 2000 "children" released: october 9, 2000 "please stay" released: december 11, 2000 “your disco has the need for you” released: january 22, 2001 light years is the seventh studio album of the australian singer kylie minog. Mushrooms released it on september 22 of the very beginning of the current millennium in australia; the parlophone released it on september 25 of the very beginning of the current millennium in europe. After the commercial failure of the impossible princess (1997), minoga left the notes of deconstruction and took a break from recording music. She signed an agreement with parlophone in june 1999 and decided to turn to her own pop. She worked with other writers and producers, even steve anderson, johnny douglas, robbie williams, guy chambers and mark picchitti. To the music of the 1970s. Lyrics, the album affects the topic of expanding the benefits and potentials of women, celebrations and eroticism in a bold and lamp approach. Musical critics provided plus reviews, complementing the return of the minog to pop, despite how ambivalent to lyrical content. Retrospectively, the light years were the main one of the stronger issues of the minogue. The album received the aria award for the best woman -artist and liberal pop -release at the ceremonies of the beginning of the century. The light years reached the maximum in the list of australian albums, the first album of minogue number-one in her native australia. He achieved a top ten in the country, scotland, new zealand, even in the list of uk albums. “That reached no. 1 in australia, and in addition, in the xx best records“ descendants and “please stay”. All reach the tops inside the top ten in europe. The last single “your disco has a need for you, except in australia and germany. Light years were additionally increased in the night, similar to this tour that visited europe and australia from march to may early centuries. In those years, it was the most cash tour of the mediated solo in australia, with the sale of tickets about 5 million bucks of america in five million green us. The album was reprinted in the european union in the past g and returned to the british chart of collections and chart of scottish albums.

In 1997, kylie minogu released her sixth studio album "impossible princess." The album was a radical change in the musical direction of the singer, including elements of electronics and alternative music. [1] the british audience was not impressed with her new musical direction, considering this time as an attempt to pursue a trend, and could not identify herself with her new intimate image as “indians”. [2] the reverse reaction led to the fact that the impossible princess did not affect the british record chart-it initially reached its peak under number 10 in the list of albums of england and sold only an adult of 000 copies for the primary 14 days of release. [3] having begun a successful advertising tour, the minoga left the notes of deconstruction and bmg in november 1998, having finished their six -year relations. [4] 

After the split, the minow made a break from the recording of music to concentrate on her acting career. [5] she spent more than one month in barbados, performing miranda in the production technology of toby gawh the tempest during the annual opera festival. [6] 1xbet also starred in australian films, released and released people produced in 2000. [7] she gave several live performances in australia, in the part of the sydney gay and lesbians mardi gra, the opening ceremony of crown casino in melbourne and sydney's fox studios in 1999. [8] minouge performed the single duran duran of 1984 "reflex" on the tribute ockenation denone: the songs of duran duran (1999), [nickname and collaborated with pet shop boys with the name "in denial", they have on a studio album 1999. Nightlife. [10] 

Following the "denial", the british label parlophone -british label, the pet shop boys have been with it - since 1985 to sign the minouge in june 1999. [11] she announced that she would start over a new album, saying: “i was in no hurry in order to choose a new label [...] There is a lot, i hope to achieve with my next section, and i think that some goods can be with with this new partnership."[12] the executive director of a she felt that the work between williams and the chamber was unusual. [29] the chamber wrote another track with minogue under the name "i am so high." [30] they were one of the earliest employees who felt a minog with a good basis for the album. [31] minogu wrote texts on “light years” with the authors of the songs by biffko richard stannard and julian gallaher in 10 minutes. Demo, originally called the “light relief”, was unexpectedly approved by the label and was picked up for the final track -linist. [32] the authors of the songs also collaborated in "please stay." [34] as a result, she recorded “on a night like this”, the song, originally written for the swedish artist -the e -recording of the ponspecker for her 1999 album “not regret”. [35] in new york, the executive director of a he also produced “so goodbye now,” the track that the minog was written with anderson. The years of the dance album, disco and the european album. [40] the album noted the return to her branded pop -style, after the experimental recording of the impossible princess. [41] a reviewer from sputnikmusic and nick levin from digital spy emphasizes the elements of disco, music of the 1970s and the beginning of the 2000s. [42] chris of the truths of allmusic noted that the album reflects the movement of a teenage pop movement in the late 1990s. [43] yahoo! Gary bapting from music called the album “a largely undemanded collection of disco, hi-nrg, ibizan trance, funk, the film and television of the 60s and the melodies of the latin lapo-lapes”. [44] elements of the house, electronics, psychedelic pop music, eurodiscus and french touch were emphasized by nick smith from musicomh and yan gormli from exclamation!.[45] described the album as filled with “crisp rhythm, melodic orchestral excerpts and bright grooves”, quentin harrison from albumism also noted the influence of the artists of the 1970s, cheryl lynn, tina charles and hues corporation. [46] 

The introductory track, "spinning around", is a song of dance pop music with a noticeable influence of disco music. [47] betty clardian expressed the opinion that the track sets the tone for the lunas and compared it with the “hand on your heart” (1989). [48] [48] “so, now goodbye,” a track that combines a house, disco and electronic verses of fire. [49] borko -sweet “disco -down” was compared with the work of georgio morroder and showed the christmassy church bell during the choir. [50] michael dwyer from this age found that the minoga is becoming hardcore -mardi gra at a modern house and electronic dance “butterfly”. [51] “on such a night” there is a darker, more than the edge of the europop, which was compared with spiller “groovejet (if it is not love)” (2000). [52] 

And the location of the strings and trembling flutes leads the fifth track "loveboat". [53] the song shows a funeral guitar and artificial effects. [54] “loveboat” was compared with the work of barry manilow, the minog “i do not need anyone” (1997) and “millennium” by williams (1998). [55] "koocachoo" has elements of jazz and music of the 1960s, and are built around a stable synthesizer and horns of horns. [56] the track contains an excellent bass riff, retro -gitarian tone, sitar, sound effects of keys and harmony "ba baba ba" in the choir. [57] the english bassist paul turner introduced bass and guitars on the track. [33] “your disco needs you” is a disco -track that is greatly affected by the village people of “go west” (1979). [58] minoga sings in a serious tone, accompanied by a copper section, royal horns, male choir and high soprano. Cameron adams from held sun felt that the song was a hybrid between the village people "y.M.C.A. (1978) and" bohemian ropsody "of the queen (1975), while chris charles from bbc news described it as" abba and pet shop boys. In the hottest gay in the city. ”[60] 

The“ password ”configured on samba was used as a hidden input-track pregap. [61]“ please stay ”includes elements of the latin pop -musias, soft acoustics and flamenco. [62] the intersection was found “bittersweet goodbye”, the only sentimental ballad of the album to become the “strange mixture” of olivia newton-john, kate bush and koko-twin. [63] behind it to cover the minogue under the influence of love ”(1967), in which her vocals are tracked twice for the bridge. [64] smith called the highway“ saint -etienne meets the best of nolanians. ”[65] pop -track controlled by the guitar,“ i'm so high »contains a thin and slowly construction melody. [66] dwire wrote songs such as" i'm so high ", help minogue, leave the club floor for automobile radio with equally pleasant results." [67] the penultimate track is “children”, a joyful pop -dog with williams. [68] he has a fank rhythm of rhythm and a distorted, guitar euphoric choir with soft guitars, synthesizers and vocal baptism. [69] the english musicians chris sharkh and neil taylor played percussion and guitars on “children”, respectively. [33] emma pierce from a village voice felt that the song helps minoug to transfer his energy "to the territory of the prince and beck." [70] the title track after a disco is a tribute to the summer “i feel love” (1977) with harmony and electronic strokes. [71] the track reminds clark about the fraternity of “angelo” (1977). [48] 

Topics [edit] 

Minogue recording, with mostly happy songs that reflect its light nature when she made an album. She said that listening to it felt that on summer vacation. [72] lyric, minogue said that she “really goes to this ... [Without] restraint,” with several songs containing insolence, the image of showgirl or elements of the camp. [73] the songs were written from her imagination, not the autobiographical style of writing songs with which she experimented on her previous record of the impossible princess. [74] minogue recalled how he wrote every song, as if it were a scene from a film or video, and tried to interpret and transform this idea into a song. [75] harrison emphasized the ability of minogue to focus on flirting, fun and romance, “without undermining its previous growth as an artist” on the impossible princess. On the expansion of the rights and capabilities of women and the celebration. She called light years a “album that celebrates to be a girl,” and commented that “not like spice girls has the opportunity to fill a dress with such a celebrity.” [48] “wroking around,” the minogs said and learned from his past mistakes. [77] truth and smith interpreted him as a minouge departure from her more experimental work on an impossible princess.[78] pam evoledo from blogcritics found a love song depicting a woman who expresses herself and takes control of her life. [79] clark examined “on such a night” and “so goodbye” as exits from the disco-discs, which successfully portray ideas about “the capture of the best person in the club, and then throw him when you feel like that.” [48] “butterfly” discusses the spiritual freedom and joy of life, [80], while “bitter-sweet farewell” is a cut ode of love. [23] smith considered the track as a tribute to his former lover michael hatchens, who died in november 1997. Club hymns and not a lack of sex. ” [82] minoug calls the listener to join her on the dance floor "your disco needs you." [65] at some point, she delivers military-like conversational interlud in french: “vous ê êtes jamais seouls / vous savez ce qu'il faut faire / ne laissez pas tomber votre nation / la disco a besin de vous!” (“You are never alone / you know what to do / do not let your nation / disco needs you!”), Bikini and james bond in his texts. [84] it contains several french phrases and impudent lines, such as "rub some lotion / places that i cannot achieve." Smith felt that the track was a mixture of kitsch and tropicans, and minogue sounds dishes. [65] the penultimate track is “children”, a joyful pop -diet with williams. [68] the track refers to a career of both the minog and williams, from the ministry of education, the singing line: "i have since cast blows from black." Flight. [44] adams discovered that minogue is dedicated to the erotic path. While mark farrow was chosen to develop a cover. [89] the shooting took place on ibiza, where the place that the minog felt “has a magical quality”. [90] on the cover, wearing a blue chiffon swimsuit, the minoga looks at a distance. [91] the cover has the background of the sky and the sea with a glimpse of the filtration of the gold sunset. [92] parlophone threw the surname minogue on the cover and called it the album “kylie”. [93] minogue wanted the cover to capture the essence of music: sunlight, beach, fun and glamor. [90] she thought that the photo shoot was unusual, and "the ease of chiffon corresponded to [her] mood and desire." [91] another photograph from the photo shoot saw a miniog with a head in a knot, wearing only a towel. [48] peters felt that the minogue has a strong feeling of himself, which distinguishes her from other celebrities with whom he worked. [94] william baker, who helped in the process of the album, said that he wanted a cover that was a “visual statement about [minow], which restores the throne of the princess of the pop music”, and the result shows that she “returned to its rightful place! " [91] 

The intersection found that the art of glossy sleeve "is very small for imagination", and this minog "plays [her]", not to mention the book, take care of the cover "" " . [44] clark wrote “bright years” were packed “taking into account male hormones”. [48] charles found him sticky, [95], while john erls from the classic pop noted his commercialized character, commenting that works of art are better suited for the ministry of sound collection, and the cover is the only boring aspect of light years. [96] from the same publication, christian guiltenan was written by a minogu, created by a “amazing fantastic figure” with the light of sunset behind her. [97] a letter for the idolator, mike vas commented that the cover “camp, merry and coquitzer” successfully captured the music of the lucid years. She believes that she will continue, because she has just begun to open in herself. [99] she said: “i feel that i have gone a long way ... I think that some other forces know where i am going, but i should not know that it would destroy.” [99] clark felt the title was a minogue of ray light, similarly to the 1998 album of madonna. [48] the album includes a “password”, a hidden introductory track in terms of pregap cd. [100] the listener can hear the track, only replaying the initial song “rotation around”. [101] robbie williams, who usually has hidden tracks at the end of his albums, inspired this. [102] minogue said that although she made an adult album, she wanted to keep a sense of pleasure. [102] she admitted that the method is “a little strange and stupid, but it's fun.” [102] smith felt that this track was difficult to find, [65], while erls commented that the decision was made at the “pik of the boom compact -disa”, and the “password” was a decent reward. [101] 

Mushrooms records first released an album in australia on september 22, 2000. [103] parlophone released it on september 25, 2000 in the uk. [33] in german, spanish and japanese versions of the album, the original french colloquial interlude “your disco -substances” was translated into their corresponding languages. [104] emi released an album in canada on september 26, 2000 and distributed an album in north america.[105] on march 5, 2001, a special tourist issue was issued in the uk, in which there was a second disc with various remixes. [106] additional remixes were included for the australian tourism publication, as well as the cover of the minog with the “physical” (1981) olivia newton-john-john (1981), which she performed during the round. [107] the album was reprinted by parlophone in japan in 2003, [108] 2007, [109] 2009, [110] and 2011. [111] in 2018, bmg reprinted light years exclusively through the sainsbury supermarkets in europe, limited to 2500 copies . @> Shortly after signing with parlophone, minogue and baker, they released a complex art book called kylie. [113] the book only for the photograph notes memorable monuments, comments and the life of a minog. [114] the book contains a naked sketch of minogue and several celebrities, such as ella macpherson, fashion designer vivienne westwood, actor barry humphris and singer boyy george. [114] minouge appeared on the controversial cover of the june release of gq, shot by terry richardson, dressed in a white tennis dress showing her naked bottom with a kylie: in your service. [115] 

Minogue held an extensive advertising campaign for the album, appearing on various television programs and at music festivals. [116] june 17, 2000, before the release of the album, minogue appeared specifically in the g-a-y london night club, where she performed several songs, including “spinning aroning”, “better the devil you know” and “step back in time” . [35] in july, she performed at a party in a park in hyde park and mardi graus london in the finsbury park. [35] dressed in the pink suit showgirl, she performed “tancing queen” (1976) and “on such a night” for an audience of 100,000 people at the closing ceremony of the olympic games in sydney in sydney in october. [117]. Later in the same month, she sang “waltzing matilda”, “celebration” (1992) and “rotation around” at the opening ceremony of the 2000 summer paralympic games. The sixth concert tour, named at such a night as this tour. She performed in europe in march 2001, before visiting australia in april and may. [119] broadway shows and musicals of the 1930s inspired the style of the tour. [120] in the united kingdom, the tour sold 140,000 tickets for one weekend. [121] in australia, minouge played record nine concerts in the sydney entertainment center, defeating the previous record consisting of ac/dc for the very dates executed in this place in the same round. [122] it was the largest tour of the solo artist in the country, amounting to 5 million us dollars from sales of 200,000 tickets. [122] my stake casino minogue concert on may 11, 2001 was shot and released on home video called live in sydney. [123] 

“The rotation around” was released as the main single from the lunas in june 2000. [124] two previously not released tracks, an alternative dance “cover of me with kisses” and the “paper dolls” acoustic path were included in the single b-wrappers. [125] liz collins shot the artistic work of the single, which captures a minogu, dressed in a pastel pink, squeezing hoop hoop. [97] director dawn shadforth, minogue shows minogue in the disclosure of golden hot affection. [126] the song entered the chart of the australian single on the first first, becoming the first sign of the singer since the “confide in me” (1994). [127] the song made her debut at number one in the uk, which made it only the second artist, who had a number one single in three decades in a row (after the madonna). [128] it was its fifth number one single in the uk and her first in a decade, after “tears on my pillow” (1990). [129] 

The second single “at night like this” was released in september with the ocean blue ballad as a b-side highway. [130] he made his debut at number one in australia, which made it sixth number one in this region; it also gave her a record that he made his debut with the largest number of single at number one with five records. [131] in the british table, the single debuted in second place. [129] the accompanying musical video shot by douglas avery was shot in monte carlo in july. [132] the plot is freely based on a casino in the criminal drama of martin scorsese 1995, where the minouge depicts a trophy wife; dutch actor rutger hauer served her on the screen. [132] the accompanying sleeve with a coating was taken from a booklet of lungs, which shows a miniog lying on the marble surface in front of the sea front. [91] 

“Children” were released as the third single from my luna, and as the second from the album of williams when you win in october. [133] the four original tracks of williams appeared in the form of b-side tracks: “gay john”, “often”, “karaoke-star” and “kill me or cure me”. [134] musical video shot by simon hilton contains a choreography taken from grease and links to busby berkeley. [135] the single reached the maximum at 40 years in australia and in second place in the united kingdom.[136] released in december, the fourth single “please stay”, reached a peak in the 10th chart of great britain, its 20th top -10 and number 15 in the australian single table. [137] this was the last release from the great britain, and it was supported by two tracks of b-wrapping: the cover of santa-malysh and the previously unrelated track “good life”. [138] in a musical video, minouge glided along the six firefighter and dances on the top of the pool table. Germany. [140] it includes specially ordered micks of tracks and password. [141] extremely popular as a track of an album, it is never released as a single in great britain, because the content was considered “too gay” and “too camp”. [142] the decision caused protests and petitions from fans lobbying for its release. [140] musical video with dance scenes minogue in the formation accompanied the release of the single in germany. [143] the track reached a peak under number 20 in australia and number 31 in germany. [144] “butterfly”, the track that was on running to become the fourth single was remicked and released in the usa as an advertising single from pichotti blue plate records in november 2001. [145] he reached a maximum at the age of fourteen in the chart got dance club billboard. Cardian has assured a normalized rating of 10 for reviews from the main critics of great britain-album has an average 5.8 score based on 6 reviews. [152] nme wrote: "light years is everything you need to know about kylie in less than an hour: fun, perfectly formed, not too tax and sometimes annoying." [68] dorian linski from select called him a “unheated cry”, which is filled with potential singles and fearless derivatives. [150] clark praised the newly acquired confidence of the minogue, noting that she has a firmly “language in the cheek for this camp”. [48] [48] dwyer praised the “fresh disco -gedonism” nature of the light years, while the pier wrote that the album is included in “some obviously cool classical pops”. -Boding production. [46] andrew lynch from entertainment.Ie considered the album as insignificant and uneven, although he considered it “a much better recording [in general] than most critics would like to recognize.” [148] crossing found the album well worked, but criticized the efforts to write songs and his daring content. [44] charles thought that the minogue "became a parody of himself" with an album filled with memorable catchy pops. [95] bernard zuel from the sydney morning herald was written by williams, and chemansa contributions do not allow a slight year to be completely disposable. [54] in its negative reviews, t'cha dunlevy of the gazette and sandra sperounes of edmonton journal rejected the record as easy and unimaginable and said that the minoga "still makes its best impression of the madonna." [154] 

Retrospectively, easy years, as a rule, are considered one of the most powerful missile defense systems. [155] this was one of the three minogue studio albums, which received a four -star rating from the british writer colin larkin in the popular music encyclopedia (2011) with rhythm of love (1990) and fever (2001). He classified it as a "high standard." [147] smith praised the confidence of minogue, calling the album a change in the game and its most affordable work after the rhythm of love. [65] levin commented that "as for the fruit small party records, bright years are an absolute peach." [86] in 2018, sal cinquemani from the magazine slant magazine took light years as the fourth studio album of minogue for its outstanding production. [156] harrison praised the energetic vocal performance of the minouge and came to the conclusion that, in addition to his carefree attractiveness, light years has "unrecognized compositional width and vitality, which confirms the constant commitment of minoug to the perfection of music." [46] 

[Edit] 

After its release, light years debuted in the second position on the arias on the week of october 8, 2000, denied the main position of the olympiad games xxvii: opening opening ceremony, the official album of the opening ceremony of the 2000 olympic games. [157] in the third week of the schedule, she came out in the first place, becoming the first album of the minogue number one in her native country, 12 years after her debut album was released. [158] the album remained in the first 20 weeks in a row, from october 2000 to june 2001. [159] for the first time in july 2001, he fell from the schedule, and then returned at number 40 in october, when a fever was released. [159] in total, the light years spent 43 weeks in the top-50, defeating the impossible princess as the longest album of the minow, at that time [159] during 2000, the album was certified in the four-time platinum of the australian association of the recording industry (aria) for sales exceeding 280,000 copies. [160] he appeared in album diagrams at the end of the year of aria for 2000 and 2001 under seventeen by number and on a decade graph under number 69.[161] in new zealand, the album debuted and reached a peak under the number of the eighth week of october 22; the light years remained on the graph of a total of five weeks. [162] 

The album made his debut in second place in the chart of the uk albums during the week of october 7, 2000, after madonna's music. [163] on february 9, 2001, it was certified in the british phonographic industry (bpi) for the supply of more than 300,000 units. [164] this was the most successful minogue album since enudious swith sight (1989). [65] when a fever was released in october 2001, within the 100th year for 27 not agreed weeks. [129] from january to may 2002, the album re -entered the schedule, remaining 11 weeks. [129] in 2018, the re -release of lungs reached a peak at number 36 in the chart of uk albums on june 7; it was the third bestseller of the vinyl album of the week. [165] in the same week, the reprint also appeared in the chart of scottish albums, reaching the number of the 21st light, which had previously reached the peak in 3rd place after its initial release in 2000. [166] in ireland, the album spent five weeks on the chart and reached the peak under number 13. [167] light years sold 498,337 copies in the uk by october 2020. The album reached the maximum in the 40 best in several european countries, including belgium, [170] finland, [171] germany, [172] hungary, [173] poland, [174] sweden, [175] and switzerland. [176] light years also reached 50 in france, [177] and number 71 in the netherlands. [178] in south africa, the album reached the peak under number 11 and the double platinum was certified with the record -record industry of south africa for the supply of 100,000 copies. > “Twisting around” earned nominations for the best female artist and the best pop release on the aria music awards, winning the latter. [180] at the next light years ceremony, she received four nominations, winning the first best artist minogue and the second best pop release, at the same time losing with the most sold album and the album of the year on odyssey tomssey pourchinger's odyssey no. Five (2000). In the same year, “on such a night” was also nominated for the best -selling single and single of the year. [181] australia recognized the phonographic productive company minogue as the seventh broadcasting artist of 2001, while three tracks of the years appeared in the 100 best broadcasting records of 2001: “rotation around” (number 12), “on such a night”, “on such a night”, like this ". (Number 15), and "children" (number 163). [182] 

Musical critics recognized the years of the light years to revive a minog's career and its restoration for the public. [183] the musical video for “rotation around” led to its bottom, and hot affection indicators were vastly covered in the media, calling it one of its trademarks. [184] jaelani turner-wilems from stereogum and clarke led the album for the presentation of the more complex side of the disco-pop for the new century. [185] minogue continued to make six more studio albums with parlophone until 2016, its longest residence of the label after mushrooms records. [46] 

Critics also emphasized the influence of easy years on a musical scene. Cinquemani said that house tracks “on such a night” and “butterfly” predicted the growth of edm music and created a template to issue a minouge over the next 15 years [156]. The true commented minow finally feels comfortable with who she is, and praised the album as one of the best disco -recordings since the 1970s. [43] a reviewer from sputnikmusic attributed an album for bringing nu-disco for the public, predicting a direction for its later issues and influencing pop projects for two decades, namely the recognition of the madonna on the dance floor (2005), reflektor arcade fire (2013), and julien carley rezepsen (2019). [57] in the 2010 article, karina galle from the investigation noted that the bright musical style of the minogu was transferred to modern pop artists, such as lady gaga. > Kylie minogue - johnny douglas - ira shikman osbourne bingham kara diogardi paula abdul mike spencer - 7- 7 -y district [a] - big g.[B] - steve torch graham stack mark taylor - brian rowling - stew - taylor - minogue steve anderson - minogue guy chambers robbie williams - chambers steve power - minogue - douglas - minogue - chambers - williams - chambers - power - minogue richard stannard julian gallagher john themis - richard "biff" stannard - gallagher - minogue - anderson - minogue - anderson paul politi barry eugene white - stannard - gallagher - minogue - chambers - megan smith chambers - power - williams - chambers - chambers - power - minogue - stannard - gallagher - stannard - gallagher - minogue - chambers - williams - chambers - power - gallagher - themis - stannard - gallagher - pizzileo [a] - flores [a] - minogue - anderson - minogue - chambers - williams - chambers - power - casino brothers [a] - shickman - bingham - dioguardi - abdul - spencer - pizzileo [a] - flores [a] - shickman - bingham - dioguardi - abdul - spencer - pizzileo [a] - flores [a] - torch - stack - taylor - rawling - stach - taylor - searle [a] - torch - stack - taylor - rawling - stack - taylor - bini backing (tracks 4-7, 12) -big g.- Additional guitar (track 1) - johnny douglas - beats (tracks 3, 4, 6); keyboards, guitar (tracks 4, 6); backing (track 6) - dave cleus - keyboard (tracks 3, 4, 6); programming (tracks 3, 4) - alan ross - guitar (track 3) simon hale - strings, horns arranging (tracks 3, 4); keyboards, lines arrangements, conducting (track 11) - andy kane - backing (track 4); male choir (tracks 5, 7) miriam stomokol - bek -vokl (track 4) gavyn wright - leader orchestra (tracks 4, 9) - steve maknichol - programming (tracks 5, 7, 12 ) - andy duncan - programming of the drum (tracks 5, 7, 12, 13); percussion (track 5) tracy acerman - backing (tracks 5, 7, 12) phil spalding - bas -gitar (tracks 5, 7, 12); fuzz bass (track 13) electric rhythm -gitar and vau -vah (track 5) guy chambers -keyboard (tracks 5, 7, 12, 13); (track 5); piano (track 7); electric guitar, acoustic guitar, electric sitar (track 12); arranging (track 13) lance ellington - male choir (tracks 5, 7) - rick driscall - male choir (tracks 5, 7) - clive griffith - male choir (tracks 5, 7) - pete hoarte-male choir (tracks 5, 7) - mick mallinces male choir (tracks 5, 7) - dan russell male choir (tracks 5, 7)- male choir (tracks 5 7) - tony walters - male choir (tracks 5, 7) karl wayne - male choir (tracks 5, 7) paul turner - bas, guitars (track 6) robert williams - backing (track 7) - sharon murphy - backing (tracks 8, 11, 14) john tmis - guitar (track 8) will malone - arrangement of the orchestra, conduct (track 9 ) лондонский сессионный оркестр - оркестр (трек 9) - craig j. Snider - дополнительные клавиатуры (трек 10) - dem girlz - backing vocals (трек 10) - natural - гитары, дополнительные arrangements (track 10) - kraig mccreary- guitars (track 10) - small cabbage (track 10) - paul mertens-flute (track 10) - dave sears- additional arrangements (track 10) - steve levinson - bass (track 11) steve power - additional keyboards (track 12) robbie williams - vocal (track 13) - winston blissett - bas -gitar ( track 13) neil taylor - guitars (track 13) chris shark - percussion (track 13) gary natal - backing (track 13) 13). - Backing (track 13) biff - backing vocal (track 14) technical [edit] 

Mike spencer - production (track 1) - - 7th district - additional production, mix (track 1) - large g. - Additional vocal production, engineering, mixing, skill (track 1) graham stack - production, mixing (track 2) mark taylor - production, mixing (track 2) - johnny douglas - production (tracks 3, 4, 6) - ren swan - engineering, mixing (tracks 3, 4, 6) - tom hannen - engineer help, help in mixing (tracks 3, 4, 6) - guy chambers - production (tracks 5, 7, 12, 13) - steve power - production, mixing (tracks 5, 7 , 12, 13); engineering (tracks 5, 7, 12) - tony kuzens - master (tracks 5, 13) richard "biff" stannard - production (tracks 8, 11, 14) julian gallagher - production (tracks 8, 11, 14) - esh house - recording, mixing (tracks 8, 11, 14) - elvin suini - help in recording, help in mixing (tracks 8, 11, 14) dave) mccherken - pro tools (tracks 8, 14) steve anderson - production (track 9) - adam brown - record, mixing (track 9) mark picchiotti - production, mixing (track 10) - tom carlisle - mix engineering (track 10) - pete davis - pro tools (track 11) - richard woodcraft - additional engineering (track 13)> - dave noton - mix enineering assistance (track 13 ) - ричард флэк - pro tools (трек 13) - джим брамби - pro tools (трек 13) искусство [edit] 

- Vincent peters - photography farrow design - design charts [edit] 

Weekly diagrams [edit] 

@>@>@> Eend-end char [edit] 

Diagrams for a decade [edit] 

Certificates and sales [edit] 

• Sales of sales based only by certification. Cassette - cd - 2cd - emi - warner music japan see also [edit]

List of albums number-one 2000 (australia) list of british best albums in 2000 list of 25 best albums for 2000 in australia list of 25 best albums for 2001 in australian list of bestsellers of albums of the 2000s in australia list of albums with tracks hidden in pregap referencs [edit] 

Quotes [edit] 

^ Cinquemani 2003; bsx 2009 ^ smith 2014, p. 148; goodall flynn 2019, p. 49: cover story from "classic album: impossible princess" lyndoresa, mark ^ official charts company a; newcastle held 1998 ^ flynn 2019, p.43: “continuous dance” of herli, oliver; newcastle herald 1998; newcastle herald 1999 ^ the newcastle herald 1998; age 1999c ^ minogue age 1999a; zee 1999 ^ haflidason 2001; anderson 2006 ^ minogue hunter 2008 ^ age 19999b ^ munson 1999 ^ the newcastle herald 1999; age 1999c; flynn 2019, p. 51: “come to my world” by erles, john ^ the newcastle herald 1999 ^ bouwman 2002 ^ flick 2000; quinn 1999 ^ parlophone 2000b, 0: 48-1: 21; halle 2000, group 3 ^ halle 2000, band 11; parlophone 2000b, 09: 38-10: 08 ^ flick 2000 ^ quinn 1999 ^ flick 2000; halle 2000, group 3 ^ parlophone 2000b, 2: 47-3: 18 ^ parlophone 2000b, 2: 12-2: 25; smith 2014, p. 177-178; halle 2000, group 5 ^ goodall oddy 2000 ^ a b halle 2000, band 10; smith 2014, p. 134 ^ parlophone 2000c; steve anderson productions ^ halle 2000, group 10 ^ parlophone 2000c; halle 2000, group 10 ^ bent 2009; molinari 2021, 43: 39-47: 10 ^ parlophone 2000c; smith 2014, p. 176 ^ parlophone 2000, 3: 48-4: 31 ^ parlophone 2000, 4: 55-5: 05 ^ parlophone 2000, 4: 33-4: 45 ^ halle 2000, strip 13 ^ a b c d e f h h h h h h h ha parlophone 2000c ^ parlophone 2000c; halle 2000, group 6 ^ a b c smith 2014, p. 174 ^ halle 2000, group 5 ^ levine 2010; donahue 2010 ^ parlophone 2000c; halle 2000, group 15 ^ parlophone 2000c; flynn 2019, p. 63: johnny returns home from classic album: light years, erles, john; halle 2000, group 11 ^ true a; levine 2010 ^ true a; dwyer 2000; quinn 1999 ^ sputnikmusic 2020; levine 2010 ^ a b c trou a ^ a b c d e e crossing 2000 ^ smith 2020; gormely 2018 ^ a b c d e harrison 2020 ^ true a; levin 2010; grogan 2005 ^ a b c d e f h h i j clarke 2000 ^ halle 2000, group 9; smith 2020; intersection 2000 ^ smit 2020; cinquemani 2018 ^ dwyer 2000; smith 2020 ^ levine 2010; smith 2020; nme 2005 ^ cinquemani 2018; zuel 2000 ^ a b zuel 2000 ^ smith 2020; clark 2000; zuel 2000 ^ crossing 2000; zuel 2000; sputnikmusic 2020; cinquemani 2018 ^ a b sputnikmusic 2020 ^ levine 2010; clark 2000; dwyer 2000; nme 2005; smith 2020 ^ cinqumani 2018; pearse 2001 ^ adams 2018; charles 2000 ^ flynn 2019, p. 56: x the best of “come to my world” counts, john; harrison 2020 ^ crossing 2000; smith 2020; clarke 2000 ^ crossing 2000; halle 2000, group 10; smith 2014, p. 134 ^ halle 2000, band 15 ^ a b c d e f smith 2020 zuel 2000; smith 2020; sputnikmusic 2020 ^ a b dwyer 2000 ^ a b c d nme 2005 ^ crossing 2000; smith 2020; sputnikmusic 2020 ^ pearse 2001 ^ adams 2018; intersection 2000; smith 2020 ^ flick 2000; parlophone 2000b, 2: 26-2: 41 ^ parlophone 2000b, 5: 38-6: 00 "2001 annual report" (pdf) (press release). 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